DT the Artist on Chart Success, Soca Fusion, and Hosting Carnival: “I’m Just Getting Started”

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From Toronto stages to international tours, DT the Artist is a genre-bending force whose unique blend of Hip Hop, Soca, and high-energy performance has earned him global recognition. With recent chart-topping singles, big-name collaborations, and major festival appearances, DT is more than just a performer—he’s a cultural connector.

We sat down with the dynamic MC, performer, and host to talk about his breakout single “Flashing Lights,” the story behind his latest Soca-Hip Hop fusion, and how he’s helping shape the future of Caribbean culture in Canada.

What inspired your hit single “Flashing Lights,” and how did it feel to see it reach #1 on iTunes Canada?

DT: The original idea came from a friend of mine who’s a model—I wanted to capture the lifestyle and what it’s like behind the glamour. After I finished the track, I reached out to Shannon Green, who was Mrs. Universe Jamaica 2021 and now directs the pageant. She wore this gold dress and her crown, and we shot the cover during a performance. When it hit #1 on iTunes in Canada, my engineer 4D and I couldn’t believe it—we kept checking different charts. I called Shannon and said, “Your face is now on a #1 plaque.” It was surreal.

Why did you decide to mix Hip Hop and Soca for your single “Wet”?

DT: Growing up half Jamaican, I always had this hybrid identity. I got into Soca through a friend named Soca Dread, and then when I started going to St. Maarten and experiencing Carnival and J’ouvert, I was hooked. My engineer 4D challenged me: “Show them a real artist can jump on any beat.” So I did—and when we laid down a Soca riddim and started recording, it just worked.

How did your collaboration with Klassik Frescobar come together?

DT: I opened for Motto from St. Lucia at Soca Reggae Fest in Winnipeg, and he gave me props for rapping on Soca beats. Later on, his manager Fross introduced me to DJ Cheem and Klassik Frescobar at an event in Toronto. When I saw Klassik’s background—starting as a rapper and shifting into Soca—I knew we had to work together. We made “Wet,” and right around the same time his song “Dansa” was blowing up everywhere. I’d hear it in Jamaica, Toronto, Winnipeg—it was wild.

You’ve worked with big names like Boosie Badazz and Krayzie Bone. What were those collaborations like?

DT: Those came through friends—Half Deezy in Vegas and Tha Nazdaq in Toronto. It was quick: “DT, we need you on this track.” They’d send over the reference, I’d record my verse, and we’d keep it moving. We’ve got a great creative rhythm.

What’s your role in the Toronto Caribbean Carnival this year?

DT: I’m the official MC for Costume Creators Mas Camp. I sat down with my mentor Wayne and told him I wanted to MC the truck, perform, and build with the team—and he said, “Done.” We’ve been preparing for the big day and also doing lead-up events like J’ouvert, featuring Osocity and Safaree from Love & Hip Hop. I’ll be hosting all of that, bringing the energy to every crowd.

What’s been your favorite place to perform?

DT: Honestly, everywhere brings something special, but Poland stands out. The energy, the vibe, the people—it was incredible. My recent trip to Jamaica was also powerful, even though I didn’t perform. I was surrounded by amazing business minds like Miss Jai from Empire Design and Elaine from Sweat Synergy. That trip shifted my focus—I’m evolving, not just as an artist but as a builder in the industry.

You’re also the official host for PDA Canada. What does that role involve?

DT: PDA Canada is run by Michelle and David—they asked me to host after working together before. I’m the MC for most of their national events, announcing artists, fashion shows, and creating that real vibe in the room. It’s about elevating every event into an experience. I also perform sometimes, so it’s a full-circle role.

What can fans expect from your upcoming EP?

DT: I’ve got a ton of music right now, so I haven’t finalized the full tracklist yet. But two songs I know will be on it are “Quality Time” and “Jah Bless Me.” “Quality Time” is a love song I shot partly in Jamaica with Shannon as the lead in the video. It’s about cherishing little moments together. “Jah Bless Me” was produced by JRD Beats, and we’ve been teasing it with promo clips already. Both songs drop after carnival season ends in September.

Where can people follow your journey?

DT: You can follow me everywhere @dttheartist — I’m always posting about new shows, drops, and events. This is just the beginning.

From modeling music to leading the carnival parade, DT the Artist is proving there are no limits when talent meets purpose. And whether it’s onstage, on the mic, or on a Mas truck — he’s exactly where he’s meant to be.

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DT the Artist on Chart Success, Soca Fusion, and Hosting Carnival: “I’m Just Getting Started”

From Toronto stages to international tours, DT the Artist is a genre-bending force whose unique blend of Hip Hop, Soca, and high-energy performance has earned him global recognition. With recent chart-topping singles, big-name collaborations, and major festival appearances, DT is more than just a performer—he’s a cultural connector.

We sat down with the dynamic MC, performer, and host to talk about his breakout single “Flashing Lights,” the story behind his latest Soca-Hip Hop fusion, and how he’s helping shape the future of Caribbean culture in Canada.

What inspired your hit single “Flashing Lights,” and how did it feel to see it reach #1 on iTunes Canada?

DT: The original idea came from a friend of mine who’s a model—I wanted to capture the lifestyle and what it’s like behind the glamour. After I finished the track, I reached out to Shannon Green, who was Mrs. Universe Jamaica 2021 and now directs the pageant. She wore this gold dress and her crown, and we shot the cover during a performance. When it hit #1 on iTunes in Canada, my engineer 4D and I couldn’t believe it—we kept checking different charts. I called Shannon and said, “Your face is now on a #1 plaque.” It was surreal.

Why did you decide to mix Hip Hop and Soca for your single “Wet”?

DT: Growing up half Jamaican, I always had this hybrid identity. I got into Soca through a friend named Soca Dread, and then when I started going to St. Maarten and experiencing Carnival and J’ouvert, I was hooked. My engineer 4D challenged me: “Show them a real artist can jump on any beat.” So I did—and when we laid down a Soca riddim and started recording, it just worked.

How did your collaboration with Klassik Frescobar come together?

DT: I opened for Motto from St. Lucia at Soca Reggae Fest in Winnipeg, and he gave me props for rapping on Soca beats. Later on, his manager Fross introduced me to DJ Cheem and Klassik Frescobar at an event in Toronto. When I saw Klassik’s background—starting as a rapper and shifting into Soca—I knew we had to work together. We made “Wet,” and right around the same time his song “Dansa” was blowing up everywhere. I’d hear it in Jamaica, Toronto, Winnipeg—it was wild.

You’ve worked with big names like Boosie Badazz and Krayzie Bone. What were those collaborations like?

DT: Those came through friends—Half Deezy in Vegas and Tha Nazdaq in Toronto. It was quick: “DT, we need you on this track.” They’d send over the reference, I’d record my verse, and we’d keep it moving. We’ve got a great creative rhythm.

What’s your role in the Toronto Caribbean Carnival this year?

DT: I’m the official MC for Costume Creators Mas Camp. I sat down with my mentor Wayne and told him I wanted to MC the truck, perform, and build with the team—and he said, “Done.” We’ve been preparing for the big day and also doing lead-up events like J’ouvert, featuring Osocity and Safaree from Love & Hip Hop. I’ll be hosting all of that, bringing the energy to every crowd.

What’s been your favorite place to perform?

DT: Honestly, everywhere brings something special, but Poland stands out. The energy, the vibe, the people—it was incredible. My recent trip to Jamaica was also powerful, even though I didn’t perform. I was surrounded by amazing business minds like Miss Jai from Empire Design and Elaine from Sweat Synergy. That trip shifted my focus—I’m evolving, not just as an artist but as a builder in the industry.

You’re also the official host for PDA Canada. What does that role involve?

DT: PDA Canada is run by Michelle and David—they asked me to host after working together before. I’m the MC for most of their national events, announcing artists, fashion shows, and creating that real vibe in the room. It’s about elevating every event into an experience. I also perform sometimes, so it’s a full-circle role.

What can fans expect from your upcoming EP?

DT: I’ve got a ton of music right now, so I haven’t finalized the full tracklist yet. But two songs I know will be on it are “Quality Time” and “Jah Bless Me.” “Quality Time” is a love song I shot partly in Jamaica with Shannon as the lead in the video. It’s about cherishing little moments together. “Jah Bless Me” was produced by JRD Beats, and we’ve been teasing it with promo clips already. Both songs drop after carnival season ends in September.

Where can people follow your journey?

DT: You can follow me everywhere @dttheartist — I’m always posting about new shows, drops, and events. This is just the beginning.

From modeling music to leading the carnival parade, DT the Artist is proving there are no limits when talent meets purpose. And whether it’s onstage, on the mic, or on a Mas truck — he’s exactly where he’s meant to be.

Recent News

Trending News

Editor's Picks

Char Borley: Redefining Success and Strategy in the Adult and Entertainment Industries

In an industry often defined by rapid shifts and fleeting trends, Char Borley has emerged as a powerhouse business mentor reshaping what sustainable success looks like. Her influence spans far beyond traditional coaching, delivering tailored, data-driven strategies that have transformed the careers and financial outcomes of countless creators across the adult and entertainment worlds. With […]

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